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SIGN THE APPEAL OF FREE to halt the sale of property confiscated from the mafia

No gifts to the Mafia: the goods are confiscated what our

Thirteen years ago, more than a million people signed the petition calling on Parliament to pass the law for ' social use of goods confiscated from the mafia
. A call picked up by all political forces, which voted unanimously
the law 109/96. Was crowned, so, the dream of those who, starting from
Pio La Torre, had paid with his life the commitment to take away from the clan
accumulated wealth illegally.
Today that commitment is likely to be betrayed. An amendment
introduced in the Senate Finance Law, in fact,
provides for the sale of confiscated property that you can not allocate
within three or six months. It 's easy to imagine, thanks to the ability of known
mafia organizations to mask their presence, who will forward the
to buy villas, houses and land belonging to the boss and that they represented
many symbols of their power, built with violence, blood,
abuses, until the intervention of the state.
The sale of these goods will mean only one thing: that the Government give in to the difficulties of their full and effective social re-use, as required by law.
And the return of those goods in availability of the clan to which they were stolen, thanks to the work of law enforcement and the judiciary, will have a disruptive effect on the credibility of the institutions.
For these reasons, we urge the Government and Parliament to reconsider and withdraw the amendment on the sale of confiscated property.
Sirafforzi, rather, the action of those investigating to find the riches of
clan. Reforms be introduced rules that facilitate the reuse of goods and social
be given practical effect to the rule that states the confiscation of property
to the corrupt. It will be primarily allocated to the families of victims and witnesses of
mob justice money and financial resources to stealing
mafias. But we do not sell those seized assets representing the sign of the redemption of an Italy
civil, honest and courageous. Because these goods are really all
"cosa nostra".

WEDNESDAY 'Dec. 2 at 20:30, SHOW MERCY, CARAVAN ANTIMAFIA!:
Regallo NOTHING TO MAFIA, WHAT OUR GOODS ARE CONFISCATED! YOU ARE ALL INVITED!

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"sticks"

"Damn you ...."
I can not use another expression for those who voted for the privatization of water, and that used by Jesus in Luke's Gospel, against the rich " Damn you rich .... "
Woe to those who voted for the commodification of water.
We will continue to shout that water is life, water is sacred, water is a basic human right.
It 's the most crushing defeat of the policy. E 'stravittoria of the economic-financial potentates, the international lobby. And 'the victory of the policy of privatization, business, business.
is at the expense sis 'water', today the most precious asset of humanity, which will be increasingly scarce, both for climate change, and an increase in population. That privatization Water is a choice that will be paid a heavy price from the underprivileged classes of that country (bills by 30-40% more, at least), but mainly from the impoverished of the world. If today 50 million a year die from starvation and related diseases, 100 million will die of thirst tomorrow. Which of the three billion people living today with less than two dollars a day, will pay for water? "We are
for life, water is life, source of life. And we are sure that theirs is only a Pyrrhic victory. For this reason we ask everyone to turn this 'defeat' in a renewed commitment to water, for life, for democracy. We are confident that this will be a parliamentary vote a "boomerang" for those who have voted.
Our first is an appeal to the people, to every man and woman of good will. We have to start from below, from ordinary people, by the municipalities.
Thus, we ask:

-CITIZENS of protest against the Ronchi Decree, by sending e-mail to their parliamentary
-creating groups in defense of water as locally at the regional level;
-form themselves into cooperatives to manage their water.
municipalities to hold councils
-single issue in defense of water;
-state water common good, 'no economic significance';
make the right choice-PUBLIC COMPANY SPECIAL.
THE NEW LAW DOES NOT PREVENT THE TOWNS CHOOSE THE PATH OF THE TOTAL PUBLIC COMPANY SPECIAL MUNICIPAL the so-called.

TO ATO-ATO to 64 (optimal territorial areas), now assigned to Spa in total public capital to transform itself into special agencies, managed with the participation of citizens.
REGIONS
-challenging the constitutionality of the new law as did the Puglia Region;
-pass laws on regional governance of water.

-unions to decide on the privatization of water;
-mobilize and mobilize citizens against the commodification of water.
ITALIAN BISHOPS of
-proclaimed water is a basic human right in the wake of the recent encyclical of Benedict XVI, which speaks of 'access to water as a universal right of all human beings, without distinction or discrimination "(27);
-protest as CEI ( Italian Episcopal Conference) against the Ronchi Decree.
COMMUNITY TO 'CHRISTIAN-
to inform their faithful on the water issue;
- organize in defense of water.
parties to
- to express very clearly their position on the management of 'water-
to propose a parliamentary debate on the law of popular initiative against the privatization of water, signed by over 400,000 citizens.
Water is blue gold of the twenty-first century. Together with the air, water is the most precious asset of humanity. We want to cry now more than ever what we yelled in many squares and theaters in this country: "The air and water are absolutely essential to the basic goods and the lives of all living beings from birth and become the natural rights Untouchables-words of Archbishop Emeritus of Messina, G. Mattock. The water belongs to everyone and no one can be allowed to appropriate it to derive illicit profit, and therefore requests that continue to be run exclusively by the municipalities organized into public companies, which have always a duty to ensure their distribution to the lowest possible cost. "


Alex Zanotelli, a Comboni missionary


Note: If you want to join the letter Zanotelli write an email to: with beni_comuni@libero.it
the word "subscribe".

Thank you for your e-mail Ivana :-)

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Parnassus interruptus

is tactless and cruel to speak ill of a film mutilated, but before the death of its lead actor Terry Gilliam has taken the risk of concluding, we too, in this service book, we get to criticize it. Parnassus - the man who would cheat the devil (another opportunity lost by the Italian translation, which has ruined the original, much more evocative, The Imaginarium of Doctor Parnassus), though it is already known to history as the last film of Heath Ledger alive, there is his first film seemed pretty dead.
Ledger, for all, the angel is sacrificed, the unforgettable Joker, the James Dean these days so little accustomed to mythology. Inevitably, then, that at the beginning of the end credits of his latest effort does not read the name of the director, but the inscription, "a film by Heath Ledger and his friends." For the record that are, as you know, Jude Law, Colin Farrell and Johnny Depp. Stars who stand beyond the mirror, who well (Farrell), who badly (Law), who remaking itself (Depp, now a prisoner of his own acting eccentric). Gilliam, his imagination of paper, cloth and pulleys is the only scenario, unfortunately the computer junkie, although still capable of peak expression (such as walking on broken glass Parnassus's daughter, played by the porcelain Valentina Lily Cole).
for ourselves, we would be able to give content to work following the great start, a street theater (the Imaginarium of course), set in a London suburb, where Doctor Parnassus (Christopher Plummer worn with a greasepaint) invites souls to transcend their earthly dimension, venturing into her own - and their - fantasy. But when the party is Ledger, hung under the bridge as an omen of the Friars Blacks (do not know why I thought of Jeff Buckley, perhaps because of the water), and discovers that he is still alive (or dead), the story does not know if he or rotate around the main theme, namely the battle with the Devil Doctor, enamored of her daughter and ready to reclaim it, in fulfillment of a pact Faustian. Mr. Nick, the name of Lucifer to Gilliam, Tom Waits is, of course, that rather than a devil looks terrible singer, hint of a mustache understood, at least since he started playing in broken glass gypsy dresses.
Nobody will tell us that the first part of the sequences are too long (including the lines connecting the petulant nano Parnassus) because it was necessary to ensure a shot with Ledger as possible. After all, is its own character to be unresolved, its provenance and then in destiny, and, when multiplied in appearance, even more ambiguous, but simply shattered, like everything else. Collapses because the theater of Parnassus, collapses the hope of winning the decisive bet with the Devil (who wins the first five souls saved to Valentina), collapses ultimately too oblique, often cruel, grotesque charge of Gilliam, which dilutes all in a pleasant but unnecessary uproar.
In the end, Ledger is dead for at least one time Law has released more smiles than necessary, Waits will return to dance alone, and Plummer to look away from his daughter, torn from the company around, but not the imagination the world, which has reserved, it seems, a new existence. Because - and this is what remains - the sense of a story (of life) is in his own creative and regenerative force. But if you do this, the cinema, can have fun, we stayed in the room, struggling with the switch on the lights, it is sad to know that everything was informed by a break: the leading man has raised the trick, maybe drunk staggered breaks in recitative (as does Parnassus, bored eternity), leaving us in exchange for duplication, vapid and useless. And throwing him the weight of absence, which is small on the screen as a flurry of confetti.

INFORMATION

Parnassus - The man who would cheat the Devil

In a sentence: "nothing is forever, not even death"
Sconsigliatissimo: who are still locked corrosive to the vein of Gilliam's Brazil and Twelve Monkeys.
Rating: KK

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Smile - Before I look at you Then you smile

Council Preliminary: Do not be fooled by the poster. Zombie-shaped scar of a smile that inspires "Smile", the debut of Francis Gasperoni, follower of the new horror all'amatriciana, there is no trace in the film. Abound quite exotic, grotesque and curses, as seen in some Italian production of the seventies.
Everything takes place in the Moroccan desert, where a company of seven unlucky improvised a holiday on the road worthy of the worst outcomes. One of them, addicted to photography, has taken the car to snatch a gypsy, and is looking for a replacement device. Then lands in a shop of antiques, where hatching, including crockery and dust, an old Polaroid instant camera. The operator - Armand Assante in a pure loan of face and name - sells off it to him for 25 euro, warning him to treat it with care and take pictures of his friends. Engrossed by the mystery (which contributes the usual child silent, probably daughter of the owner) the acquisition, and follows the suggestion dell'azzimato lender.
Here begins the curse, and trash. Refrain gender: who is immortalized dies - pardon the oxymoron - by the hand object in the photo. Change, however, the location: Morocco permitting, you move immediately from the dunes to a bush, where the unwary want to improvise a campsite, attracted by the fame of the place animistic (Lonely Planet dixit, at least according to the writer). Invariably lost among the branches, seeking help from an angry native hunter, who noticed the accessory, warns terror of the curse that hangs over them: do not shoot for charity.
Nobody, of course, gives him a straight. Indeed, the fools have already made out, without knowing it, a traveling companion, the first to be photographed, and strangely missing from the evening before the trip: everyone thinks they're back home, but nobody - blissful innocence - if it finds the first leave. We, in fact, we have been transfixed by a portable missile (with her picture on a wall) when he returns to the hotel.
The rest is mere canvas. Die before the hunter, then all my friends, except one (preferred), the main character. Objects killer, depending on the context photo: deer antlers, lightning (or perhaps spontaneous combustion, it is not clear: some of the photos came evil), pointed trunk, shovel, another missile, but less justified than the first. The two survivors, miraculously, they manage in the meantime to leave the forest and cross a graveyard - the sly already seen some scenes before - where they discover the graves to the surprise of the hunter and the girl in the shop. People already dead, and for years before their arrival.
What's happening? Presto said. Found the jeep, and the notches of the internet, they discover that our Armand Assante - the proverbial, the crowds - it was actually a photographer for newspapers corpses, mad after discovering that the last of his subjects was the daughter ( Certainly, the girl above) brutally murdered. Brainstorm delirium following: the man, to vent their anger, he had actually killed the subject, including hunter, by the same mechanism of Polaroid, before hanging himself. So a ghost, he too. And yet everything else, one might think. Gasperoni in Serbian but has the final surprise: not at all affected by the background, which is actually quite useless, has yet to dispose of two victims, and does so in the most picturesque: while the protagonist is taking pictures in the desert for download evil tool, here they go before a car at the time of the click reflected in the window, pretty sharp, the silhouettes of her and friend. Oh, no. The roar of the engine and securities tail.

Sidenotes:

- Remarkable is the background: a dodged a blow from the front of the jeep, with a coach who later stage. In shock, photography down to capture the wreck, when the vehicle leaves a lame lutulenta gypsy that tears the room, trimmed cultural exchange as a bloody monkey. In long shot someone exclaims, unexpected: "It seems a surreal situation." Probably a gloss of the script, not canceled;
- Outstanding sequence of the shovel-ghost, floating in the air malicious, before piercing the victim. There are not any wires, then we all'avanspettacolo;
- From the shivering direction: from start to finish makes almost exclusive use of the first floor, it was not a documentary;
- Given the topic, entitled "Cheese" there would have seemed more coherent.

INFORMATION

Smile

In a sentence: "slap from start to finish, very bad acting by everyone." Indeed, sorry, this was to GI Joe. The correct sentence is: "I'm regretting GI Joe"
Sconsigliatissimo: anyone who continues to prefer Tarantino Mario Bava, despite the declared artistic kinship.
Rate: kkkk