Sunday, February 28, 2010

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Lovely Wedding and Other Disasters (?) Remains

Peter Jackson is not a gentilhobbit. Because no gentilhobbit you would have unlimited financial resources, create a personal Light and Magic, and then go out with a blatant copy of a famous movie, just hidden by the special effects. The lovely (?) Remains (ie, The Lovely Bones, retro title so bad that for once was not published, as it is regularly the case) the director of the rings are in fact neither more nor less fat than a remake of Ghost. Just substitute a fourteen Patrick Swayze, Demi Moore in her family, and a dark girl with Whoopi Goldberg, and you're done. Too bad only that the farce is over Stanley Tucci, now a character scream, used to play the serial killer instead of his original evil. Why is the same limbo of the ghost he sees from afar the flow of life which he belonged, the same fate that would change the ungrateful, identical, even the kiss that will not love your flesh in the medium before venturing into heaven.
of his own, Jackson takes only the grotesque appearance of Susan Sarandon in the role of a grandmother consoling relatives of the murdered man whore blows smoke and whiskey, and of course the computer bandwagon of limbo: a changing scenario of forest , gazebos and cliffs, which changes with the moods of the mind, attracting details for profit, such as ships in bottles (the father of the dead, not the intense Mark Wahlberg, is keen on model) and inflatable balls (plaything of another victim of the killer, similar to the famous M sequence, the monster of Dusseldorf, but without the director around).
by applause, finally, the senseless closure of the plot: the villain manages to escape safely after the discovery of traces of her murder and moved somewhere else to kill innocent American. It dies, now elderly, a twist of the case: a piece of ice that breaks away from a branch fall on his head and he fell down on the cliff below. That even the bad Ghost ended in a similar way, torn pieces of glass from a window, it does not matter. At the very least, we put the innocence Zucker, Jackson calculation, and a lot of boredom. With the heaviness of a voiceover that justifies the literary source but makes it even less tolerable operation. If this happens to a horror talent, a fantastic time even, is even more anger. Hopefully only at this point, that is dedicated to permanently blockbuster, and leave the experiments to those who do not necessarily tesssori look at the box office.

INFORMATION

Lovely Bones

In a sentence:
"but have not yet taken, 'I'm old? He's old "
Sconsigliatissimo: anyone expect a return to the roots of a director has been affected with the system.
Rating: kkkk

Tuesday, February 16, 2010

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WELL WE KNOW WHERE WE'RE GOIN'
BUT WE DON'T KNOW WHERE WE'VE BEEN
AND WE KNOW WHAT WE'RE KNOWIN'
BUT WE CAN'T SAY WHAT WE'VE SEEN
AND WE'RE NOT LITTLE CHILDREN
AND WE KNOW WHAT WE WANT
AND THE FUTURE IS CERTAIN
GIVE US TIME TO WORK IT OUT

We're on a road to nowhere
Come on inside
Takin' that ride to nowhere
We'll take that ride

I'm feelin' okay this mornin'
And you know,
We're on the road to paradise
Here we go, here we go

CHORUS

Maybe you wonder where you are
I don't care
Here is where time is on our side
Take you there...take you there

We're on a road to nowhere
We're on a road to nowhere
We're on a road to nowhere

There's a city in my mind
Come along and take that ride
and it's all right, baby, it's all right

And it's very far away
But it's growing day by day
And it's all right, baby, it's all right

They can tell you what to do
But they'll make a fool of you
And it's all right, baby, it's all right

We're on a road to nowhere

Thursday, February 4, 2010

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The Righteous

A man who looks after his garden, as Voltaire wished.
who thanked him in the world that there is music. He who finds pleasure
with etymology.


Two employees who play a quiet game of chess in a bar in the South
The ceramist who thinks of a color and shape.
The printer who made this page well, though perhaps not the leaves.
A woman and a man who read the final triplet of a certain song.
Who caresses a sleeping animal.


Who wants to justify or justify an evil that has undergone.
Who in the world thanks that there is Stevenson.
If you prefer for others to have the right.
These people who ignore us, they are saving the world.
(Jorge Luis Borges)

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The Mandarins and the olives do not fall from the sky


Mosaic days
The Mandarins and the olives do not fall from the sky
February 4, 2010 - Tonio Dell'Olio



On January 31, 2010 we gathered to constitute the Assembly of African workers
Rosarno in Rome. We are the workers who have been forced to leave
Rosarno after
claimed our rights. (...) We were living in abandoned factories, without water or electricity
. Our work was underpaid.
leave the places where we slept every morning at 6:00 to re-enter only at night
€ 20.00 for the 25 that did not end even in all our pockets.
Sometimes we were not, after a hard day's work,
us pay. We returned with empty hands and the body bent by toil
. (...) We were beaten, harassed, hunted down like animals
... taken, someone is gone forever. They shot him
, for fun or for someone's interest. (...) I do not
could more. Those who were not wounded by bullets,
were injured in their dignity, their pride as human beings.
could not wait for more help that would never happen because we are invisible
do not exist for the authorities of this country. (...)
ask the authorities of that country to meet and to listen to our demands
:
• ask that the permit be granted for humanitarian reasons
to 11 African injured in Rosario, is also granted to
all of us, victims of exploitation and irregular
our condition that has left us without work, abandoned and forgotten
street.
• We want the government to assume its responsibilities and
guarantees us the opportunity to work with
dignity.

Assembly of African Workers in Rome Rosarno


http://www.peacelink.it/mosaico/a/31147.html