Wednesday, May 26, 2010
Saturday, May 8, 2010
Low Calorie Coffie Cake
We can also accept stories that Fabio Volo pleased that it is neither a writer nor an actor nor conductor and which is always the fucking she wants. There is also nice, because conscious of its character as a medium, adaptable, crazy as parsley, served as places for wedding table. We would, however, at least in a mainstream film, which has unexpectedly received the support of the Ministry (Bondi, instead of writing poems to Elio Vito, may adjourn the cinema), trying to put a wire to participate, if not acting. But the fault is of those who have chosen (or not) has directed artists and left absolute freedom of being useless, the only player in the role of uncultivated un'operina full of intellectuals of all sorts, starting with the manifest with stacks of books prominently.
So now we say: We are fed up of directors who, no one knows whether cultural background, living free from surprises, piaciona option or simple boredom, straparlano fancazzisti masses of more or less learned that from ( or bottom) of Chairs, love frustrations, slovenly verses, fascination with the literary world, spend their insignificant existence jabbering with haughtiness of books, works that have never been able to write, heroes who are not ever going to be. Life, my dear, this is not. Try the Margherita Buy's turn to get passionate pain, tiredness, fatigue, hunger and even at the time, instead of logging in the screen saver many days pass between the other sex, or fall into a bin of refuse to take back his thoughts to paper, and tumbler vate umpteenth reading of the week. In and out with different people, not her colleague Luciana Littizzetto library, choreography as a shelf, tempered by the role, but evidently not by the cachet nor bookworm with crooked teeth who claims to be the new Von Trier.
Failing that, ask her performance elsewhere, because if the background This is to be expected the worst, including details from unbearable progressive plot, how to represent a pre-marriage with two pairs of three non-EU, or the priest with sexual problems that we try again with the former: the moralists, please , keep to the salons of Parioli, while debating the blows of Chablis Vinterberg, here you should tell a story, do not waste film with platitudes. But anyhow, this is the cliché of "love and other disasters" - here, now we can talk about it - the last effort of Nina Di Majo, full of the usual suspects already mentioned, poor, poor, verve. History uncertain, lacking direction, the said Buy, sister a nubenda (Francesca Inaudi, certainly the least paid of the cast), manages a bookstore in downtown Florence, a poet who yearns to take evening courses, is home to a backpackers with directorial ambitions and hardly bear the future in-law (Flight) crude and over the top as to be the modern workaholic, but obviously friendly. Meanwhile, the son of repetitions gives Littizzetto colleague (the one with the Tuscan accent, despite the location, the only one that falls in love with her, despite the film) and attended a dinner combined with potential future partners, one of which , apart from teaching, has only less than an intrusion to their halitosis. A
both joints, writers (?) will make it against the bad block, and half time triggering the flash: we all betray all that life is not only flat and quality, but also worse than expected. So, in order of horns
1 - Buy's sister confesses to not be that, having been conceived by his uncle;
2 - The father asked for clarification on this point, the confirmation of everything, including his wife still held standing the unseemly menage;
3 - the poet tells her to have to turn a relationship with her sister, breaking into an amen all the dreams and not only literary;
4 - you, to make up for the hard life, you fuck nubendo full bachelor party.
Moral? The track, in an exemplary way, the mother Marisa Berenson, who thanks to a massive facelift is the youngest of her daughter: "Life is a mess." In fact, it can not be giving the wrong, and find themselves acting in Barry Lindon, 35 years later, to interpret the mother-in-law of Fabio Volo is not exactly a joke.
So now we say: We are fed up of directors who, no one knows whether cultural background, living free from surprises, piaciona option or simple boredom, straparlano fancazzisti masses of more or less learned that from ( or bottom) of Chairs, love frustrations, slovenly verses, fascination with the literary world, spend their insignificant existence jabbering with haughtiness of books, works that have never been able to write, heroes who are not ever going to be. Life, my dear, this is not. Try the Margherita Buy's turn to get passionate pain, tiredness, fatigue, hunger and even at the time, instead of logging in the screen saver many days pass between the other sex, or fall into a bin of refuse to take back his thoughts to paper, and tumbler vate umpteenth reading of the week. In and out with different people, not her colleague Luciana Littizzetto library, choreography as a shelf, tempered by the role, but evidently not by the cachet nor bookworm with crooked teeth who claims to be the new Von Trier.
Failing that, ask her performance elsewhere, because if the background This is to be expected the worst, including details from unbearable progressive plot, how to represent a pre-marriage with two pairs of three non-EU, or the priest with sexual problems that we try again with the former: the moralists, please , keep to the salons of Parioli, while debating the blows of Chablis Vinterberg, here you should tell a story, do not waste film with platitudes. But anyhow, this is the cliché of "love and other disasters" - here, now we can talk about it - the last effort of Nina Di Majo, full of the usual suspects already mentioned, poor, poor, verve. History uncertain, lacking direction, the said Buy, sister a nubenda (Francesca Inaudi, certainly the least paid of the cast), manages a bookstore in downtown Florence, a poet who yearns to take evening courses, is home to a backpackers with directorial ambitions and hardly bear the future in-law (Flight) crude and over the top as to be the modern workaholic, but obviously friendly. Meanwhile, the son of repetitions gives Littizzetto colleague (the one with the Tuscan accent, despite the location, the only one that falls in love with her, despite the film) and attended a dinner combined with potential future partners, one of which , apart from teaching, has only less than an intrusion to their halitosis. A
both joints, writers (?) will make it against the bad block, and half time triggering the flash: we all betray all that life is not only flat and quality, but also worse than expected. So, in order of horns
1 - Buy's sister confesses to not be that, having been conceived by his uncle;
2 - The father asked for clarification on this point, the confirmation of everything, including his wife still held standing the unseemly menage;
3 - the poet tells her to have to turn a relationship with her sister, breaking into an amen all the dreams and not only literary;
4 - you, to make up for the hard life, you fuck nubendo full bachelor party.
Moral? The track, in an exemplary way, the mother Marisa Berenson, who thanks to a massive facelift is the youngest of her daughter: "Life is a mess." In fact, it can not be giving the wrong, and find themselves acting in Barry Lindon, 35 years later, to interpret the mother-in-law of Fabio Volo is not exactly a joke.
INFORMATION
Weddings and Other Disasters
In a sentence: "open the beer, the" Weddings and Other Disasters
Sconsigliatissimo: those who think that Italian cinema can be disengaged also to be worse than busy.
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Friday, May 7, 2010
When Does Mask Of Pregnancy Appear
Prayer graduate. More Than Words
Introduction, there is no irony or sarcasm in this prayer.
Introduction, there is no irony or sarcasm in this prayer.
Our Father which art in City
be sanctified
new graduates is the work
your will be done as well in the city in the country
give us our daily work and leverage our debts
we put them to our employers
lead us not into redundancy
but deliver us from unemployment amen.
be sanctified
new graduates is the work
your will be done as well in the city in the country
give us our daily work and leverage our debts
we put them to our employers
lead us not into redundancy
but deliver us from unemployment amen.
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