Ray Stantz
I moved abroad has slowed not just mine, already known to syncopated vein reviewers. They are not, to be honest, the reasons for seeing movies & review of poor quality. But, passing a few days at home, meet me here is the opportunity, temptation, Goduria: a pretentious filmaccio suck and spit in the grim summer heat. Oh, joy!
roam by car from my colleague exposure to air conditioning and then subtract the poker games to go and face the final stunt of the writer / director of Donnie Darko: The Box. Come up with automatic review, and Hamlet-like doubts. Via the dances.
Richard Kelly, believing a phenomenon after producing the film on adolescence psychotic who takes orders from a satanic oversize bunny and travels up and down time, he launches into the more metaphysical nonsense in this last work: the move ' clock back a decade (we're in '70, as the protagonist's criminal complaint clothing), carries a piece of the original cast (Holmes Osborne, in what was the father of Donnie Darko and remembered for the legendary joke "I vote Dukakis), wants the extra stars in the cast, fellow human morality with probes to Mars and assorted deformity, is taken seriously so frankly nauseating.
Motor another guy, an employee of NASA (Frank Langella, which gives a strange crater on the face: I mean, just a hole in the cheek through which you see the teeth, and it is unfortunate that refuses the drink that is offered in opening, would be laughable), I was struck by lightning. Dies (trivial, I know), but after an hour or so, back to life (already more innovative). And, he says, is now "in touch with those who control the lightning." Oh well, to be returned from the dead losing out half his face and sanity would not be excessive and damage. Instead you find that has paranormal powers, including the most impressive seems to be the ability to build a wooden box empty and place a red button at the top, packing the whole, and delivered the box (the package, let's say) to a pre-dawn hours of unsuspecting citizens. So, instead of putting his superpowers to good use in the real estate branch (I know, Tony Darko & Sons, Removals, was not bad), decides to put some people at random in front of a moral choice extreme torture them forever if fail his test, threaten to extinguish life on earth if his "employers" are not happy, etc etc etc. The usual story. Clearly, the Agency for National Security manforte decides to give him (and how you're wrong?). The moral of this moralistic story is going on mince, and in case any doubts remain, we are slammed in the face by a man around the said hole (Langella with his face pierced by lightning, I say): "Unless you kill each of you pass the test." The peak depth is served.
Unfortunately, the film is much longer than my review, tap subirsi healthy Oretta between two jumps of the script (or assembly, or both), variously exhibited deformity, epistaxis (nosebleeds, for the less prone to medical jargon) abundant and frequent shots and tracking shots of a small textbook director DIY.
doubts remain, some of which deserve to be explained: why
• this director is obsessed with aquatic forms, type in the Vermona Darko and "portals" here? •
because Langella, with superpowers and "regeneration 10 times faster than normal" was not plugged the hole in the face? •
who killed Laura Palmer? (Which has nothing to do shit but Lynch had little more idea what he was saying, guaranteed)
• Most importantly, because the face of Cameron Diaz has become a rubber mask and inexpressive? It is too much botox and syringe? He pulled the nose up too? He wondered which still unexplained reason, the conduct had on the set?
Mysteries, in fact, insolvent.
Richard Kelly, believing a phenomenon after producing the film on adolescence psychotic who takes orders from a satanic oversize bunny and travels up and down time, he launches into the more metaphysical nonsense in this last work: the move ' clock back a decade (we're in '70, as the protagonist's criminal complaint clothing), carries a piece of the original cast (Holmes Osborne, in what was the father of Donnie Darko and remembered for the legendary joke "I vote Dukakis), wants the extra stars in the cast, fellow human morality with probes to Mars and assorted deformity, is taken seriously so frankly nauseating.
Motor another guy, an employee of NASA (Frank Langella, which gives a strange crater on the face: I mean, just a hole in the cheek through which you see the teeth, and it is unfortunate that refuses the drink that is offered in opening, would be laughable), I was struck by lightning. Dies (trivial, I know), but after an hour or so, back to life (already more innovative). And, he says, is now "in touch with those who control the lightning." Oh well, to be returned from the dead losing out half his face and sanity would not be excessive and damage. Instead you find that has paranormal powers, including the most impressive seems to be the ability to build a wooden box empty and place a red button at the top, packing the whole, and delivered the box (the package, let's say) to a pre-dawn hours of unsuspecting citizens. So, instead of putting his superpowers to good use in the real estate branch (I know, Tony Darko & Sons, Removals, was not bad), decides to put some people at random in front of a moral choice extreme torture them forever if fail his test, threaten to extinguish life on earth if his "employers" are not happy, etc etc etc. The usual story. Clearly, the Agency for National Security manforte decides to give him (and how you're wrong?). The moral of this moralistic story is going on mince, and in case any doubts remain, we are slammed in the face by a man around the said hole (Langella with his face pierced by lightning, I say): "Unless you kill each of you pass the test." The peak depth is served.
Unfortunately, the film is much longer than my review, tap subirsi healthy Oretta between two jumps of the script (or assembly, or both), variously exhibited deformity, epistaxis (nosebleeds, for the less prone to medical jargon) abundant and frequent shots and tracking shots of a small textbook director DIY.
doubts remain, some of which deserve to be explained: why
• this director is obsessed with aquatic forms, type in the Vermona Darko and "portals" here? •
because Langella, with superpowers and "regeneration 10 times faster than normal" was not plugged the hole in the face? •
who killed Laura Palmer? (Which has nothing to do shit but Lynch had little more idea what he was saying, guaranteed)
• Most importantly, because the face of Cameron Diaz has become a rubber mask and inexpressive? It is too much botox and syringe? He pulled the nose up too? He wondered which still unexplained reason, the conduct had on the set?
Mysteries, in fact, insolvent.
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